If you dare to bare your teeth,
I'll bite you back and even pull out your teeth.
終於看了這部片
拖了這麼久才看真是很不稱職的一個Lars Von Trier's fan
- 6月 16 週四 200500:39
DOGVILLE
If you dare to bare your teeth,
I'll bite you back and even pull out your teeth.
終於看了這部片
拖了這麼久才看真是很不稱職的一個Lars Von Trier's fan
- 6月 14 週二 200509:35
weather man
我也會報氣象
今天明天後天大後天
通通
百分百會下雨
今天明天後天大後天
通通
百分百會下雨
- 6月 13 週一 200501:06
克制
je veux t'oublier
mais tu viens a mon reve, souvent
je ne peux pas
你說你很煩燥
想丟歌安撫你
- 6月 02 週四 200523:02
你以為你看到了其實你沒有
不抽菸不喝酒
菸很臭對我來說幾乎所有酒都太苦
興趣是把自己搞得全身痠痛
例如打排球讓自己背痛腳痠
把家教搞得像勞力打工一樣因為老是騎腳踏車來來去去
光復路跟西門讓我練了不少大腿肌力
- 5月 31 週二 200523:34
keep playing n playing n playing
Jack Johnson.
太棒了,聽不膩.
網站做得很好.不贅述.
http://www.jackjohnsonmusic.com/default.asp
- 5月 19 週四 200502:01
Hiroshima Mon Amour
最近快把我搞死的東西. 左邊應該是比較原版的封面,右邊是寒假去法國買回來的.
Marguerite Duras: Hiroshima Mon Amour
I. Plot
Through the dialogue between a French woman and Japanese man—a pair of immoral lovers, the past of the woman is revealed more and more.
II. Theme
àHiroshima vs. Histoire: international history and personal story
This personal story always dominates the necessarily demonstrative Hiroshima story.
＊How to present? By placing the immoral lovers in Hiroshima, where the name of the place is associated with the atomic bomb in WWⅡ and the sufferings of Japanese people. Emphasizing the background history by making SHE an actress who comes to cast in a movie about peace.
àMemory vs. Oblivion/Forgetfulness: the passage of time
SHE: Like you, I too have tried with all my might not to forget. Like you, I forgot. Like you, I wanted to have n inconsolable memory, a memory of shadows and stone.
SHE:…I’m beginning to forget you. I tremble at the thought of having forgotten so much love…
＊How to present? By the fear of forgetting the German soldier and the determination of leaving the Japanese man.
III. Paradox
àWar vs. Peace, Life vs. Death
IV. Immoral love
àSHE and the German vs. SHE and the Japanese: treason and adultery
＊Why? Feminism: living beyond social expectations
àExile: love is her country.
V. Name
àNevers: never/rien, impossibility
HE: You saw nothing in Hiroshima. Nothing.
HE: Nothing. You know nothing.
àHiroshima: the place full of traumatic victims of the WWⅡ
VI. Style of Duras
àPlotless sequences, noncharacters, stylistic effects
àBi-film: two stories
àMusical affinities
＊Sonata form: exposition, development, recapitulation
＊Background music: partⅠ and partⅤ
àPoetic elements:
