最近快把我搞死的東西. 左邊應該是比較原版的封面,右邊是寒假去法國買回來的.


















Marguerite Duras: Hiroshima Mon Amour

 I.            Plot

        Through the dialogue between a French woman and Japanese man—a pair of immoral lovers, the past of the woman is revealed more and more.

II.         Theme

àHiroshima vs. Histoire: international history and personal story

    This personal story always dominates the necessarily demonstrative Hiroshima story.

How to present? By placing the immoral lovers in Hiroshima, where the name of the place is associated with the atomic bomb in WW and the sufferings of Japanese people. Emphasizing the background history by making SHE an actress who comes to cast in a movie about peace.

àMemory vs. Oblivion/Forgetfulness: the passage of time

    SHE: Like you, I too have tried with all my might not to forget. Like you, I forgot. Like you, I wanted to have n inconsolable memory, a memory of shadows and stone.

    SHE:…I’m beginning to forget you. I tremble at the thought of having forgotten so much love…

How to present? By the fear of forgetting the German soldier and the determination of leaving the Japanese man.
 

III.       Paradox

àWar vs. Peace, Life vs. Death

IV.      Immoral love

àSHE and the German vs. SHE and the Japanese: treason and adultery 
Why? Feminism: living beyond social expectations

àExile: love is her country.

V.         Name

àNevers: never/rien, impossibility

    HE: You saw nothing in Hiroshima. Nothing.

   HE: Nothing. You know nothing. 
àHiroshima: the place full of traumatic victims of the WW 
 

VI.      Style of Duras

àPlotless sequences, noncharacters, stylistic effects

àBi-film: two stories 
àMusical affinities 
Sonata form: exposition, development, recapitulation

Background music: part and part 
àPoetic elements:

 

 

 

 

 




為了這份報告,先是迷迷糊糊看完劇本
再來一面看電影一面做筆記,最後找了一大堆書來猛翻
睡都睡不安穩

Marguerite Duras實在是個風格強烈的女人
Alain Resnais則把整個劇本發揮到最極限
連選角都那麼貼近劇本營造出來的感覺
如果不看電影就無法了解這個劇本寫到怎樣精彩的一個地步



關於現在以及過去,同樣瘋狂違背倫理的愛。




Emmanuelle Riva. 誰比她更適合ELLE?


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